Ileana speaks about her 5 important things

Ileana while speaking to the media recently spoke about her five important matters.

She said,” I was very fat during school and college days. After coming to cinema I started concentrating on my waists. Since there are fans for this, I did severe exercises and reduced the size of my waists. Now I like my waists”. “The second thing is my native place is Goa. Food is very special there. It is very difficult to control eating. At other times I will be eating vegetables, fish, mutton and chapatti. I drink fruit juices.”

“The third matter is my first Tamil film did not do well at the box office. So I was reluctant to accept offers for Tamil cinema. I was a having sentiment that Tamil films are not suitable for me. But now I have dropped the sentiment. Shortly I will be acting in a Tamil film.”

“The fourth matter is there is news that my salary is 90 Lakhs. It is not true. But at the same time I expect my salary for my talents. I have missed many films because I was not paid the salary which I deserve. It’s okay. I am least bothered if it was a super hit film also.”

“The fifth matter is I have agreed to work with Vikram in a Tamil film. But to some reasons this film is getting delayed. For time being I am not acting in Tamil film.”

K P P Naveen speaks about Nellai Sandhipu

Debutant director K P P Naveen speaks about Nellai Sandhipu

Director K P P Naveen while speaking about his film Nellai Sandhipu said,” The story of this film is about a fake encounter and the problems that arise in the family.

We are making this film as a wholesome family film. Through this film we are introducing a new face Rohit as hero. Devika is pairing with him. She had acted as a flower seller in the film Vaalmiki. Mega Nair is another heroine of this film. Director Raja is donning an important role in this film. Meera Krishnan is donning the role of the heroe’s mother.

Nadodigal Lakshmi and Devaraj are also starring in this film. To act as encounter specialists, three actors were required. So I selected producer P L Thenappan, director Saravana Subbiah and Sami Dev. I chose Thenappan for the role of the villain because of his eyes and his pan chewing habit.

Initially he refused to act. He was very stubborn. But somehow I forced him to do the role. In the similar way I had to force the other two to act in these roles. The highlight of this film is about the cinematographer Sevilo Rajan who had handled the camera for Em Magan has handled the camera for this film. He has used two types of color for this film.
He has used one color for the family sequences and another color for the encounter scenes. He was always shooting the whole film with the camera on his shoulders. He has not used the stand even for one scene. Yugendaran who is the son of Malaysia Vasudevan has composed the music for the film. Andal Priyadarshini, Eknath and Nellai Bharathi have penned the lyrics.”

Aarya-Vikram’S ‘Raavana’ Connection

It’s a fact of commonality between these happening hunks of Kollywood. Gone are those days, where it was Lord Rama being praised and now ‘Raavana’ seems to have become the duckiest character of universal masses.Manifestly, Manirathnam’s film title ‘Raavana’ has kept everyone uttering the word on lips. Preferably, it’s Vikram – The Raavana guy, who has been ardently addressed with this character name often in town now.But, then what’s connecting Aarya with this factor? Aarya’s yesterday Telugu release ‘Varudu’ is all about the modernized tale of mythological book of ‘Ramayana’. The entire marriage takes place just as that of Lord Rama for 5 days and on the spur of moment, the bride is kidnapped by a baddie (played by Aarya). Rest of the film is about his upheavals and how the good wins over bad.It circuitously offers an idea whether Vikram’s role would be the same as Aarya in ‘Raavana’. But Manirathnam has been a genius with rational thoughts of delivering what you never expect.

‘Endhiran’ shooting is finally over! Endhiran in 3D

‘Endhiran’ shooting is finally over! Endhiran in 3D

'Endhiran' is one of the most expensive Indian films produced.
Rajini does the dual role of a robot that has human emotions and also the scientist who creates this robot. Aishwarya Rai plays the role of Nila opposite Rajini. The dog Gino has an important role in the film. Prominent Bollywood villain Danny, Karunaas and Santhanam for comedy are some of Rajini’s new team members in the film.
After 2 years, 'Endhiran' shooting is finally over. Director Shankar writes about this in his blog.
"The final schedule of 'Endhiran' shooting has been completed successfully. I have now started on the editing. During the final shooting schedule, 2 lovely things happened. One is the song AR Rehman composed for the last part of ‘Endhiran.’ The recording is going on now. Another is the audio release of 'Rettaisuzhi' by Aishwarya. One portion of this film is being made into 3D".

Angadi Theru – Tamil Movie Review

Banner: Ayngaran InternationalProduction: Karunakaran, Arun PandianDirection: Vasantha BalanStar-casts: Mahesh, ‘Katradhu Tamizh’ Anjali, A. Venkatesh and othersMusic: G.V. Prakash, Vijay AnthonyVasantha Balan’s unique way of projecting realism has been his highlighting USP. If ‘Veyil’ was all about contrastive scenarios of triumphs and failures in the lives of two brothers, he’s back with a powerful bang in ‘Angadi Theru’, which speaks about the other side of T. Nagar.
It’s been more off clichés, where our film protagonists head from their villages to Chennai seeking for fortune and indeed fetch it. But Vasantha Balan takes us through a journey with anguishes of youngsters in textile showrooms of Chennai, whose lives are downtrodden and quite pathetic.
Abuse and oppression is what these salespersons are exposed to and how the lead characters survive the badgerings has been well depicted in ‘Angadi Theru’.
But anything in excess is too difficult to handle, isn’t? In simple terms, ‘Angadi Theru’ is an excess baggage of overdosed emotions and pathos.
An unexpected demise of his father in an accident leaves Jyothi Lingam (Mahesh) desolated. Drenched in a high-risk situation, Lingam leaves to Chennai along with his friend Maarimuthu as they get employed in the one of the biggest textile showrooms in T. Nagar. But life isn’t easy as they expected as hundreds of salesmen and women are prone to inhumanity like reducing a rupee for every minute they’re late to office. Girls are molested if they’re found playing during business time.
On the different segments, we are introduced to various characters of a lame husband and wife, an underprivileged person’s sudden change of fortune with a public toilet.
Every character has its own joyousness, upheavals and how they overcome it….Hard-hitting dialogues penned by Jaya Mohan impinges straight into your heart, sometimes wrenches it.
Especially, the perfect reason behind lame man’s wife on giving birth to a handicapped child leaves you stunned. Of course, it deserves a grand round of applause. Vasantha Balan has to thank his technicians for the ability of discerning his motives.
Richard’s cinematography is sharp, exquisite and elegant and the shots captured through hidden cameras have been done awesomely. Vijay Anthony’s ‘Aval Appadi’ is dulcetly resplendent while his background score could’ve been better.
On the performance level, newcomer Magesh has put forth his best efforts, emoting with right momentums. His simplistic comeliness over the screens is appreciable while his outbursts at valid situations are commendable. Anjali comes up with an overpoweringly stunning performance as her overall acting will win her accolades. The others in supporting roles including director A. Venkatesh as the cruel manager have done justice to their roles.
Valuating this film maybe an indifferent situation as it has lots of appreciable factors and on pars, certain emotions that are too heavy to perceive. Doubtlessly, ‘Angadi Theru’ will be prove its high-quality contents amongst single screens and down south audiences while for those moviegoers planning to kill their time, this isn’t a right option.
What works: Jayamohan’s dialogues, director’s ability to present a drama at same backdrop of a textile showroom, performance levels of all star-casts…
What didn’t work: Extended climax with unnecessary pathos, background score, lengthy second half and lots of loud outcries.

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